Contact
+1)551-328-4476
bogeumjung(at)gmail.com
Bo Jung is from Seoul,Korea and he is currently studying at the School of Visual Arts in New York.
Contact
+1)551-328-4476
bogeumjung(at)gmail.com
Bo Jung is from Seoul,Korea and he is currently studying at the School of Visual Arts in New York.
Bfa Design
2022 – 2026
Hansung Univ.
Computer Science
2017 – 2019
Mar 2025 – Now
No Ideas
Jan 2025 – Feb 2025
Kusneuf NYC
Jul 2023 – May 2024
Republic of Korea’s Air Force
Apr 2020 – Jan 2021
Adobe Illustrator
Adobe After effects
Adobe Indesign
Blender
Css
Figma
Html
Silver x 2
Honorable Mention x 5
2025
SVA Gallery Spring Show
2025
SVA EMERGE Show
2025
Korean(Native)
Last Updated 09.10.25
Branding
2025
WIP
Branding,Packaging
2025
WIP
Editorial
2025
PPF is a magazine exploring time through the essentials of human life: food, clothing, and shelter. Each issue focuses on one of these fundamental needs—beginning with FOOD and invest-igates how the past, present, and future overlap and evolve within them. Through lush, surreal visuals and playful editorial choices, the magazine reflects the fluid and often unexpected connections between time and human experience.
Product Design
2025
This project was developed under specific constraints drawn from random cards: "orange," "Colbo NYC," "product," "LL Bradford," and "clean." The outcome balances a clean interface with playful, modular interactions, allowing users to swipe left or right to explore Colbo’s overwhelming range of content — gradually building their own personalized algorithm as they navigate.
Editorial
2024
This book design for James Langdon’s essay explores perception and observation through subtle design disruptions. The mirrored cover and eye motif reflect themes of self-exploration, while each chapter introduces shifts in typography, structure, and space to echo the fluid nature of looking. Layered visuals and intentional imperfections make the reading experience dynamic and immersive.
Website
2024
Rorschach Archive is a living collection that showcases 100 hand-painted Rorschach artworks through an interactive web experience.The site invites users to explore, archive, and create their own interpretations, blending psychological exploration with playful engagement. Clean typography and a minimal structure were used to highlight the evolving and unpredictable nature of perception.
Exhibition Identity
2024
This project reinterprets Erik Parker’s vibrant, chaotic aesthetic through layered typography and bold graphics. Rather than relying on traditional psychedelic styles, I explored new visual strategies to create a modern, reimagined psychedelia that reflects Parker’s unique energy. Designed for his Brain Damage exhibition at Kaikai Kiki Gallery, the work captures the tension between distortion and order.
Identity
2025
The number 88 comes from two ideas: the car in Back to the Future that needs to hit 88 mph to time travel, and the shape of 8 itself, resembling an infinite loop. Building on this concept, I created a fictional transit system where time travel feels tangible and everyday. I designed and fabricated a physical toy train model, developed a full subway system, and even created a realistic MetroCard to blur the line between imagination and reality.
Poster
2025
While thinking about the nature of time travel, I was drawn to the myth of Icarus — not as a direct inspiration, but as a metaphor for human desire. To me, the idea of a time machine reflects our longing to surpass natural limits, even at the risk of destruction. The poster visualizes this collision of desires through fragmented scenes: war, sexuality, extinction, and mythological collapse, scattered like broken pieces of memory across space.
Editorial
2025
This project explores the Time Machine not as a sacred object, but as a direct challenge to sacred narratives — an act of imagination against the inevitability of time. The book’s cover features a snake scale texture, referencing the biblical serpent and the forbidden knowledge of the Tree of Good and Evil. Rather than accepting time as a divine, linear order, this project questions, fragments, and plays with it.